rss -http://www.atjazz.co.uk/podcast
Labels: Clyde, Hearin' Aid, Issac Hayes, Nomumbah, Paul Randolf, Stanley Turrentine
For his fans, this Atjazz album has been a long time coming, though thankfully not as long as Derrick May takes between records! The epic state of flux in the life of Martin Iveson (aka Atjazz) while writing the album frequently adjourned and ultimately shaped the songs you hear.
“The album is simply stunning, absolutely Beautifull soul music” - Laurent Garnier
"Atjazz, one of few to excell in infinity and sophisticate dance music vision in movement and harmony of now and then" - Rapheal Sebbag, UFO
Lesson in contemporary musical production, part one: “Underlined,” the third track and first minor masterpiece on Martin Iveson’s new album under his Atjazz moniker, Full Circle. Vocalists Ernesto and Cee Rock do a none-too-shabby job lending soulful hooks and Native Tongues-style rhymes–par for the course on this album of collaborations with a series of vocalists from the pan-nu-jazz multiverse. But it’s Atjazz’s ability to layer droplets of subtle tones like archaeological strata that makes these tracks bump-worthy for the dancers and discussion-worthy for the pundits. Where nu-jazz has gone complacent, Atjazz has delved deeper into the technology’s organic possibilities, allowing for both “I Forgot You,” which ticks and tocks with bass-heavy club appeal, and “With You,” which fits neatly into both your iPod’s ‘back to mine…’ and “Blue Note” playlists. Subtly complex, danceable, and gorgeous: Even three years in the making, Full Circle appears not a moment too soon.
Labels: Atjazz, Full Circle, Justin Hopper, Mantis Recordings, XLR8R